Sunday, August 31, 2014

Comic Page Automatism, selected, 2012.

(click on images for scrutiny)






 All works 12" x 15", layout pencil, ink, and wash on illustration board.

Sometime spring or summer, 2012, I produced these drawings.  The form, the elements of composition, for a comic page is of course germane to sequential pictorial narrative.  In this way I felt as though to exercise the automatism, or practice of automatic writing, from surrealist poetics, would be a closer association with the process of creating these pictures, than that of the surrealist painters and their visual jargon for the dreamscape.

Wednesday, June 25, 2014

Brush and Ink with Wash Drawings, 2006-7.

These drawings date from summer 2006 and re-arise briefly in summer 2007.  They were developed during breaks after an enthusiastic run of oil painting.

(click on images for scrutiny)


God fears the Christian 1. 2006.

Reprise. 2006.


In the Year of the Pig.  2006.

Omelette.  2006.
Leading Questions.  2006.

The Congress.  2006.
All volunteer.  2007.

Deadman Speaks a Line of Eluard.  Ink on scratchboard; 2007.

All drawings, unless otherwise noted, brush and ink with wash on illustration board; dimensions variable.

Tuesday, December 17, 2013

Art Exhibition: Without Opus*

(click on image for scrutiny)

Exhibiting a series of drawings I produced over the course of the year at the fort gondo compound for the arts in Saint Louis, Missouri.

Exhibition is on view from December 7th to January 4th.
 3151 Cherokee St, St Louis, MO 63118

My thanks to longtime friend and gondo program director, Jessica Baran for making this show happen!

*See posts below to view the drawings in the show. 

Sunday, December 15, 2013

'Without Opus' part 1.: The Brass Cupcake sequence















All works 2013, 8 1/2" x 12"; colored pencil, brush and ink on Bristol paper.

Saturday, December 14, 2013

'Without Opus' part 2: the Abraham sequence, and Locus Solus










Locus Solus




All Drawings 2013, 8 1/2" x 12; colored pencil, brush and ink on Bristol paper.

Friday, December 13, 2013

'Without Opus' - part 3. The Lott Sequence.

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All works 2013, 81/2" x 12";colored pencil, brush and ink on Bristol paper.

'Without Opus' opening snapshots and exhibition view




animated discussions

Sopearb, a local artist, interrogates the second drawing of my Lott sequence.






Thanks to the rigorous culturally developmental activities of fort gondo founder, Galen Gondolfi, and it's program director, the poet and artist, Jessica Baran, my opening was populous, and many local artists engaged with me about my work.  I cannot reflect accurately how honored I was to partake in the cultural fabric of St. Louis.